Mastering the POV Switch
Every writer has come upon a scene where she feels as if she needs two people's POV to accomplish a certain purpose. For those times, there are some tips to help make that switch without jarring the reader.
After someone speaks, especially after a longer piece of dialogue, a POV change can move more smoothly.
For example: Luke watched the way Sarah nipped on her bottom lip as if nervous. She had good reason to be. Which was why he decided to help her.
When someone feels, smells, or tastes something, the reader seems instantly aware that they are in that POV character's head.
For example: Brent spotted her standing by the counter, wiping a worn Formica countertop that didn't need wiping. His gaze swept over her soft curves and remembered how it had felt to hold her next to him. His heart picked up speed. Oh, yeah, she looked good.
Pass something from one person to the other. As the object moves from one person to the other, the readers seem to pass the POV over as well. It can be a physical object or it can be just an expression.
For example: Brent watched her move, mesmerized by the soft, swaying of her hips as she came closer. Tomorrow she would be his. He held out the pen for her to sign the contract.
Again, switching POV during a scene is not the recommended formula to follow. But when you must … make sure the switch is smooth.
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